It feels a little superfluous analysing Kate Berlant and John Early’s work when the commentary is largely built in; to point out that they revisit certain preoccupations, like social performance and competition, for example, feels somewhat redundant when the revisiting is itself a theme of the work. That interest in refining an idea or an… Continue reading Berlant and Early: Intellectual vaudeville
Category: comedians
Leo Reich: Literally, Who Cares
Leo Reich’s debut Fringe show is dazzling. A portrait of rabid Gen Z narcissism that is brilliantly funny, and despite the artfully superficial persona, threaded through with melancholy and rage; emotion which is ironic and also not. Reich is incisive about the conditions that have generated contemporary pathologies - the warping effects of technology for… Continue reading Leo Reich: Literally, Who Cares
Jerk
The BBC 3 sitcom Jerk, stars Tim Renkow as an anti-hero who exploits his cerebral palsy to get away with bad behaviour. Widely acknowledged to be ground-breaking in its representation of disability, the series is a radical departure from the narrative conventions that situate disabled characters as either victim or saint. With a clear kinship… Continue reading Jerk
Catherine Cohen: the twist?… she’s gorgeous
‘The Twist...? She’s Gorgeous’, Catherine Cohen’s recent Netflix special, sees her concoct a flamboyant spectacle of feminine narcissism, in a show characterised by a rather perfect tension between self-regard and self-deprecation, conceit and vulnerability, play and pain. Part of what’s dazzling about Cohen’s performance is the sheer speed and precision with which she moves through… Continue reading Catherine Cohen: the twist?… she’s gorgeous
Mike Birbiglia: orchestrating anxiety
Mike Birbiglia creates masterful endings. It’s not good form to talk about endings, especially in stand up, when an effective ending can be so transformative. With tension such a key component - both at the level of individual jokes and of fully developed sets or specials, with punchlines and closers providing the release (or… Continue reading Mike Birbiglia: orchestrating anxiety
Comedy and cancel culture
Questioning liberal orthodoxy is a formidable prospect given the inevitability of outrage. But as we risk sliding into coercive ideological conformity, opening up space for debate is surely a matter of some urgency. Comedy is one place where such issues can be raised and explored in relative safety, and two recent instances, Leigh Stein’s satirical… Continue reading Comedy and cancel culture
Jordan Brookes: deconstructing stand-up
Stand-up is often prized for its transparency, and its lack of artifice; up there alone on stage, there’s nowhere to hide, and comedians must acknowledge their embodied identities. There’s transparency too in the relationship with the audience – the comedian’s need for an audience is perhaps uniquely evident: as John Limon puts it, ‘they make… Continue reading Jordan Brookes: deconstructing stand-up
The Darkness of John Robins
Emotional honesty has long been John Robins’ stock-in-trade, but the Netflix special, The Darkness of Robins, a recording of a show about the end of a relationship, which won him the joint Edinburgh comedy award in 2017, takes self-exposure to a new level. It seems to answer a challenge: if emotional honesty is central to… Continue reading The Darkness of John Robins
Coronavirus memes: visual banter
There’s much that is positive in the abundance of coronavirus comic memes: in their assertions of shared experience and collectivity they clearly do provide a degree of relief. But as units of communication to be exchanged and circulated, they are often only placeholders for real emotion or feeling. Given that the experiences of strain, anger,… Continue reading Coronavirus memes: visual banter
Comedy as capitulation
Thanks to Hannah Gadsby, we are now familiar with some of the risks of comedy – the ways in which the obligation to get a laugh necessitates the smoothing out or simplification of stories, often at personal cost. She showed how comedy can be a kind of accommodation – a way of managing lived experience… Continue reading Comedy as capitulation
Humour in the Arts 