Armando Iannucci’s David Copperfield

All too often humour is seen as somehow secondary to satire - Harry Levin, for instance, describes satire as ‘purposeful comedy’, with the implication that humour alone is insufficient. Indeed, as the privileged critical category, satire often serves ‘to defend comic art against charges of frivolity’ (Green 106). This tendency is understandable given the distinctions… Continue reading Armando Iannucci’s David Copperfield