Comedian’s Comedian

Luke McQueen's return to the Fringe is an audacious bonfire of the vanities - both his own and the comedy ecosystem more generally; the gatekeepers, the chummy podcasts, the expensive clowning courses. Directed by Jordan Brookes, the show shares clear DNA with Brookes's own solo work, playing with what's real and what's not, and interrogating… Continue reading Comedian’s Comedian

Strategic vulnerability

A degree of vulnerability is central to stand-up, and integral to the expectation of candid revelation. It's a vexing concept from a feminist perspective, however, because of its association 'both with femininity and with weakness and dependency' (Gilson, 2016, 71). In stand-up, vulnerability is perhaps most apparent in self-deprecation or self-satire, an aspect of comic… Continue reading Strategic vulnerability

Catherine Cohen: the twist?… she’s gorgeous

‘The Twist...? She’s Gorgeous’, Catherine Cohen’s recent Netflix special, sees her concoct a flamboyant spectacle of feminine narcissism, in a show characterised by a rather perfect tension between self-regard and self-deprecation, conceit and vulnerability, play and pain. Part of what’s dazzling about Cohen’s performance is the sheer speed and precision with which she moves through… Continue reading Catherine Cohen: the twist?… she’s gorgeous

The Darkness of John Robins

Emotional honesty has long been John Robins’ stock-in-trade, but the Netflix special, The Darkness of Robins, a recording of a show about the end of a relationship, which won him the joint Edinburgh comedy award in 2017, takes self-exposure to a new level. It seems to answer a challenge: if emotional honesty is central to… Continue reading The Darkness of John Robins