Matthew Dooley's debut about ice cream wars in the north west of England, Flake, won the 2020 Bollinger Everyman Wodehouse prize for comic fiction, and his second graphic novel has been much anticipated. Aristotle's Cuttlefish uses the same rundown locale - Dobbiston, and there's another odd couple, this time, Mr Daniels, the elderly manager of… Continue reading Aristotle’s Cuttlefish: a rare treat
Category: literature
Miranda July: All Fours
Miranda July's new novel, All Fours, continues her preoccupation with mediation and role play in the service of intimacy, and her challenge to the notion of an authentic or consistent sexual identity is as daring and disruptive as ever. Several things have changed, however, one being a shift in tone away from her first novel,… Continue reading Miranda July: All Fours
Sex comedy
‘Sex comedy’ is a rather nebulous classification; films like American Pie (1999), and much of Judd Apatow’s oeuvre (The 40-Year-Old Virgin, Superbad) fit the bill, with ancient Greek and Restoration comedies and the films of Doris Day and Rock Hudson providing a lineage for comedies that revolve around sex. It’s a genre that can be… Continue reading Sex comedy
Rutu Modan’s Tunnels
A thrilling adventure story, Rutu Modan’s new graphic novel, Tunnels, is also very funny. The story has a buoyant, almost farcical energy, and there’s a satirical aspect too, an empathetic satire which is fond rather than acrimonious. As with her previous work, Modan’s subject is Israeli life, and the story’s archaeological focus shows the preoccupation… Continue reading Rutu Modan’s Tunnels
Mark Leidner: Anti-myth myth-making
Returning the Sword to the Stone, the title of Mark Leidner’s newest collection, gestures to renunciation, or reversal, and the invocation of myth is developed by a line within the poem itself: ‘removing royalty from your bloodline by returning the sword to the stone’. The notion of reversing or undercutting myth threads throughout the collection,… Continue reading Mark Leidner: Anti-myth myth-making
Dead Souls
A satire on the cultural sector, which uses humour to play with ideas about literary convention and value, Dead Souls is also a series of philosophical enquiries, with plagiarism the preeminent theme. Set in a slightly warped world where poetry has become immensely lucrative, the novel explores the case of a plagiarising poet, Solomon Wiese, publicly shamed… Continue reading Dead Souls
Paul Beatty: Unmitigated Blackness
Paul Beatty is a hugely significant comic writer: one of only a few contemporary novelists whose work is consistently satirical. His most recent novel, The Sellout, which won the Man Booker Prize in 2016, shares DNA with other irreverent, iconoclastic masterpieces like Catch 22 and Slaughterhouse Five. The novel traces the tribulations of his protagonist,… Continue reading Paul Beatty: Unmitigated Blackness
Comic naivety in George Saunders’s ‘Ghoul’
The pleasure we find in naivety is complex: it’s partly superiority at a lack of social sophistication or adroitness about social conventions, and partly relief at the failure to maintain those norms – a chance to vicariously share in a momentary respite from the ceaseless self-consciousness and responsiveness required of us as social creatures. There’s… Continue reading Comic naivety in George Saunders’s ‘Ghoul’
Fake Accounts: irony and the aesthetics of alienation
A brilliantly funny novel, in its mordant fashion, Lauren Oyler’s Fake Accounts is also very engaged with the implications of humour in contemporary online culture. The specific conditions of the internet – the size of the networks involved, and anonymity of those networks - have meant that the potential scale and real-world impact of inside… Continue reading Fake Accounts: irony and the aesthetics of alienation
Susanna Clarke’s Piranesi: a new Gulliver
Attuned now to literature which is markedly comic, I wasn’t drawn by the accounts I’d read of Susanna Clarke’s Piranesi, which emphasised its philosophical intent, and suggested a risk of ponderousness. I was wrong, however, because while the novel is certainly philosophical, it is also very funny. And if philosophy seems incompatible with humour, then beauty… Continue reading Susanna Clarke’s Piranesi: a new Gulliver
Humour in the Arts 