Fake Accounts: irony and the aesthetics of alienation

A brilliantly funny novel, in its mordant fashion, Lauren Oyler’s Fake Accounts is also very engaged with the implications of humour in contemporary online culture. The specific conditions of the internet – the size of the networks involved, and anonymity of those networks - have meant that the potential scale and real-world impact of inside… Continue reading Fake Accounts: irony and the aesthetics of alienation

Twitter Wit

Social media activity is frequently condemned by commentators for fostering an ‘instrumental mode of grasping the world as a collection of objects for control, consumption and accumulation’ (Schwarz 85) thus engendering an exploitative attitude to creativity and sociability. For Ori Schwartz for instance, ‘this exploitation of the present’ leads to ‘the constant search for valuable… Continue reading Twitter Wit