Many of the pieces collected in ‘Poor Things’, the excellent new exhibition at the Fruitmarket, use humour, but perhaps none quite as pointedly as Rebecca Moss’s video installations, 'Thick-Skinned' and 'Home Improvements'. Both works demonstrate Moss’s interest in slapstick as a way of examining ‘the gap between being a body and having a body: between… Continue reading Rebecca Moss: the art of slapstick