Jack Docherty’s meta-romcom

How to classify Jack Docherty’s new storytelling Fringe show, Nothing But? It’s a romcom of sorts, and a meta-romcom at that, one that has its cake and eats it too. Alongside the romance narrative itself, it’s also a record of the attempt to create a romcom, and a commentary upon the genre more generally. Docherty’s… Continue reading Jack Docherty’s meta-romcom

Seth Rogen’s Shamelessness

Obliviousness is a crucial component of comic license. And our pleasure in obliviousness is partly pleasure in witnessing and sympathetically participating in the avoidance of humiliation, a condition which we are acutely and continually preoccupied with evading. While a relish for resilience and recovery is at the core of our enjoyment of obliviousness, part of… Continue reading Seth Rogen’s Shamelessness